Long before the first firecracker cracked the night sky, the ambiance around the Accra Sports Stadium had already drifted from expectation to certainty.
This was not going to be just another December concert. By the time the gates closed, the 40,000-capacity stadium had been packed to the rafters, transformed into a living ocean of sound, colour and belief for Stonebwoy’s landmark concert, “A Decade of BHIM.”
From the terraces to the pitch, thousands of fans, many draped in BHIM insignia, stood shoulder to shoulder, phones raised, lighters glowing and voices primed.
This was a celebration of ten years of musical concert, movement and identity, built not only on hits but on consistency, resilience and live performance excellence.
Then came the moment that froze time; As the lights dimmed and a brief hush swept through the stadium, a towering golden crown appeared, projected dramatically above the stage.
The roar that followed was deafening. Plumes or smoke curled upward. Firecrackers exploded in sharp bursts. And from beneath the stage, Stonebwoy rose slowly into view, emerging like a figure summoned from legend.
Resplendent in an immaculate all-white suit, his look, crowned, literally and symbolically, by gold horn-like elements and the glowing golden crown above his head, the entrance was nothing short of cinematic.
It was theatre, power and symbolism rolled into one. A visual statement of royalty earned, not claimed.
The stadium erupted
Roars of “BHIM! BHIM!” rolled endlessly across the arena as Stonebwoy lifted the microphone and eased into “Send Dem a Prayer,” a standout track from his Toucher album.
The response was instant. Thousands sang along, some screaming lyrics into the night, others overwhelmed by the unfolding magic.
It was a spiritual opening, measured, meaningful and deeply rooted in reggae consciousness.
The live band swelled on his sides, drums rolling and basslines pulsating through the stands, as Stonebwoy stood firm on centre stage, eyes closed at moments, voice steady and commanding.
The crowd did not merely listen; it worshipped the moment, responding to every lyric with raised hands and unified chants, as the song set the spiritual and emotional tone for a night that would only intensify.
What followed was a masterclass
Stonebwoy leaned firmly into his reggae and dancehall foundations, delivering track after track with clarity, control and conviction.
Backed by a full live band, he navigated tempo shifts and key changes effortlessly, his vocals rich and unwavering. Each transition felt deliberate, each pause intentional. Not once did he drift off-key. Not once did the rhythm slip.
In an era where many artistes rely heavily on backing tracks, Stonebwoy reminded the audience, and the industry, of the power of live musicianship.
His command over the band was evident in subtle cues, hand signals and perfectly timed breaks. He did not chase the music; he led it.
The stadium responded in waves . Phone torches and lighters flickered like constellations across the night sky, while firecrackers punctuated emotional peaks. The heat, the noise, the movement, it all blended into an electrifying atmosphere that sent chills through even the most seasoned concertgoers.
It was, in every sense, goosebump-inducing. Midway through the show, the reggae vibration deepened when Jamaican roots reggae star Fantan Mojah mounted the stage.
His presence drew massive applause, reinforcing the international dimension of the night and Stonebwoy’s deep ties to the global reggae and dancehall community.
Fantan Mojah’s conscious delivery blended seamlessly into the BHIM soundscape, stretching the roots segment into a powerful cultural exchange.
As the night unfolded, several Ghanaian artistes took turns, heating up the stadium, each adding energy and flavour to the celebration.
From soulful melodies to high-tempo crowd movers, the performances kept momentum high. Yet, each time Stonebwoy reappeared, the energy spiked instantly, proof of his unmatched hold on the audience.
One of the night’s most talked-about moments came when Stonebwoy, after delivering a powerful set, disappeared beneath the stage once again, descending out of sight as the crowd roared in confusion and excitement.
For a brief stretch, other performances filled the space, but anticipation never dipped.
Guest performances and shared spotlight
The celebration widened into a true festival of collaboration as fellow artistes took turns to colour the night with memorable performances that complemented Stonebwoy’s stage craft.
Nigerian star Mr P of P-Square fame also came to the party, thrilling the crowd with a polished set that drew cheers across generations, later pausing to publicly congratulate Stonebwoy for what he described as a historic achievement. Songstress Sefa lit up the stage when she was joined by Stonebwoy for a vibrant performance that blended melody and swagger, while Adina’s appearance alongside the BHIM boss delivered a soulful, crowd-pleasing moment that drew loud singalongs.
Earlier, Cina Soul had set a high bar with an outstanding performance marked by vocal finesse and emotional depth.
Yet, it was the concert’s second half that truly tipped the night into overdrive, as Stonebwoy returned to the stage to deliver a breathtaking run of his biggest hits, transforming the stadium into a roaring chorus and sealing an atmosphere of triumph, gratitude and shared musical excellence.
His second half return
Emerging once more to thunderous applause, Stonebwoy launched into a near-uninterrupted run of his biggest hits – an electrifying sequence that turned the stadium into a frenzy.
Song after song, anthem after anthem, the crowd sang every word, jumped in unison and waved lights wildly in the air. It was relentless. It was triumphant. It was peak BHIM.
Beyond the technical brilliance, what truly distinguished the night was Stonebwoy’s connection with the audience. He did not simply perform; he communicated.
He paused to listen as tens of thousands carried entire verses. He commanded silence, then released it again into explosive choruses. His energy never dipped, his focus never wavered.
Emotion moved freely through the stadium
For many patrons, this was not about blind fandom. It was about quality. About trust. Stonebwoy has built a reputation for delivering value on stage, and “A Decade of BHIM” reaffirmed why fans continue to return year after year.
His ability to blend message-driven music with pure entertainment remains one of his strongest assets.
For Naa Ayorkor, a concertgoer and BhimNative, “indeed, there is no performer in Ghana currently like Stonebwoy. He has proved to be one of Ghana’s big music exports. I am here to have fun but it has been meditative because of his consciousness and musical depth.”
The night also drew high-profile attention, reflecting the cultural significance of the event. Dzifa Gomashie, Minister of State and Minister for Tourism, Arts and Culture, was among the dignitaries present, alongside Sam George, Minister for Communications and Digitalisation and philharmonic.
Their presence was evident of the growing recognition of live music and creative arts as key pillars of Ghana’s cultural and tourism economy.
Visually, the concert matched its sonic ambition. Lighting sequences were tightly synchronised with musical transitions, while stage effects amplified key moments without overwhelming the performance.
Stonebwoy’s fashion, bold yet refined, reinforced his image as a global performer comfortable on any major stage, from Accra to international arenas.
As the hours stretched deep into the night, fatigue never truly settled. Adrenaline carried both artiste and audience forward.
Stonebwoy remained vocally sharp, physically present and emotionally invested, guiding the band and the crowd with the ease of a seasoned performer.
At the final stretch, the conclusion was unmistakable: Stonebwoy had not only sold out the Accra Sports Stadium, he had owned it.
In Ghana’s increasingly crowded December entertainment space, BHIM Fest stood apart through coherence, craftsmanship and purpose. It was not chaotic. It was curated. Every moment felt intentional.
As fans eventually poured out into the Accra night; voices hoarse, bodies tired, spirits lifted, the verdict echoed across conversations and social media alike: this was special.
“A Decade of BHIM” was more than a concert. It was a statement of endurance, excellence and evolution.
In an industry where relevance can be fleeting, Stonebwoy’s ability to grow without losing musical discipline continues to set him apart.
BHIM Fest 2024 reaffirmed his place not only as a dancehall star, but as a complete musician; one who understands live performance, storytelling, crowd psychology and cultural impact.
And on December 24, beneath a crown of light and before a stadium full of belief, Stonebwoy did more than celebrate ten years of a musical career.
He raised the bar.
